Out on the Balcony

I was on my bed considering my journey, contemplating all of the things that had taken place in order for me to arrive in the space that I currently occupy. Then I heard a violent noise. The noise seemed to vibrate the windows and smash against my back door. Then I heard the sound again and it had a similar effect on the structure of the house, except this time it was a little bit louder. I gathered myself and rose slowly, contemplating whether or not to get a weapon before I walked in the living room area to see what was going on. I opted not to. I took silent ninja steps to the window and peered out of it to see that the cause of my consternation was the Atlantic Ocean crashing against the Jamaican shore which was just a few feet from the Montego Bay estate that I was staying in for the night. DSC_0057

I very rarely leave the United States. I almost never kick back and enjoy life, but last week I was on a solo trip to Jamaica when I saw those waves crashing against the beach and then rolling back into the sea. The rhythm began to saturate my soul. The consistency, the majesty, the power of it all—it got me. I stepped out on the balcony in astonishment. I submitted to the moment. I looked but did not move. I forgot that I was breathing. I appreciated the world and I told myself, I deserve this.

-YB

 

Keep Holding on/10-18-17 at 6:30pm at Laney College

If you are anywhere near the San Francisco Bay Area then you need to go to this event! On Wednesday, October 18th at 6:30pm Mental Health in the Hood Presents "Keep Holding On: A Night of Suicide Awareness.” Please join us as we welcome internationally renowned keynote speaker Kevin “Grateful” Berthia. Grateful Berthia is a motivational speaker and mental health advocate.

https://www.youtube.com/watch?v=vq1HonsCTD8

On October 18th at 6:30pm in room D200 of Laney College he will tell the story of his darkest moment and what keeps him holding on. Laney College student Malaysi a Alcorn will also share her testimony.

IMG_1369This will be a powerful evening that you will not want to miss—trust me. Those who have been touched by suicide in any way are especially encouraged to attend. I hope to see you all there.

With the Devil at her Door: Notes on Jemele Hill and Korryn Gaines

  636410985778596594-2017-09-15-jemele-hillJemele Hill must feel kind of like Korryn Gaines when she had the devil at her door demanding her submission in exchange for her life. But what is a life with no soul, what is a body with no heart, and how can one speak with no tongue?

 

They are afraid of a black woman with a rifle in her hand willing to kill to protect her son, to protect her freedom, to protect her dignity. And the police in Baltimore County Maryland felt like they needed all of that force to serve a warrant for a misdemeanor.

 

They are deathly afraid of a black woman that they can’t control. A sista that won’t be quiet. A sista that doesn’t want to twerk. A sista that doesn’t want to be their fantasy. A sista that knows that her place is at the top of the throne no matter what that throne is made of, like Queen Nzinga. A sista with opinions that she isn’t afraid to share. And ESPN scolded Jemele like a child, then suspended her for two weeks for telling the truth on two different occasions.

 

Well, if Ebonics be thy first language then let truth be thy second. My mother taught me how to stand in direct opposition to corruption. My mother showed me that the black woman is the embodiment of resilience. My mother showed me love. My mother taught me how to speak and my mother taught me how to listen. My mother spoke softly, my mother screamed loudly and sometimes my mother chose to be silent. No man could ever force her to be submissive, and no job ever succeeded in shutting her up—though many of them tried. So maybe she didn’t get that promotion and maybe they didn’t deem her to be a “team” player. Maybe she has had to suffer more and maybe she is paid less.

 

And one may ask why couldn’t my mother just be a good worker and go along with the company program? Why didn’t Jemele Hill just stop tweeting altogether? Why couldn’t Korryn Gaines just put her gun down and have a rational conversation with the police? Why didn’t Sandra Bland just put out her cigarette? Why couldn’t Miss Sofia just be a nanny for that white lady’s kids in The Color Purple? Why did she have to say hell no?

 

To this I would say no one should have to sacrifice their humanity to make you feel comfortable. No one should have to give up their rights to make you feel safe. No one should have to give up their voice in order for you to feel complacent. And at times it seems as though the black woman gave birth to a world that has been trying to destroy her ever since. Jemele Hill has been suspended as if she were in grammar school and Korryn Gaines was murdered in her apartment in front of her 5-year-old son by the police. And all because instead of looking down at their feet they chose to look power directly in the eyes. They both spoke truth to a culture built upon lies, and they spoke this truth with the devil at their door.

 

“they threw me a charge too late, got my "Big Girl" September of last year. Legit w/papers. Thought i was gon have to take out a nigga nd realized i had a bigger problem. Fuck it Let's dance, i got some rhythm”

 

-Korryn Gaines

 

 

 

 

No shame

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When the lights are all out you feel it more. When your eyes are closed you see it better. While in the moment of sin I prayed that it would never stop. I thanked god that it was real, and I lost myself. Restraint—as necessary as it is at times—can be so overrated. I wanted more so she gave me more. And just like the seasons tell the farmer when it is time to plant and when it is time to harvest, her body spoke to me in the language of the sun. It spoke to me in the language of the fertile soil down in the delta and I responded with primitive lust. She dripped, she poured, she rained, we left a collection of fluids on a silky crimson sheet. And we felt no shame.

The GO-GO Sound

I was approaching Baltimore Harbor when I heard the same syncopated rhythm that I heard intermittently on my one hour journey from Washington, D.C. Except this time it was live! It was right before my eyes so I could see the masterpiece as it was being created with two drumsticks, three buckets, a trash can, and a basket from a grocery store. What the man was creating was a sound called GO-GO. It made me want to dance, pray to my ancestors, and take the finest sista I saw back to my dingy little room at the Motel 6. It made me feel at once liberated and a slave to all my passions. It reminded me that I was an African, but also that I was very far from home. https://m.youtube.com/watch?v=5X8fvWa13X0

They don't play GO-GO music at all in the San Francisco Bay Area. I mean like never. I only know what it is because several years ago I asked a friend of mine that had gone to Howard what it was like to party in D.C. and he told me "The girls out there really like GO-GO." I looked at him quizzically thinking that he was saying that they were strippers. I kept thinking GO-GO dancers and for some reason I conjured up Demi Moore's dance routine in the movie "Striptease." Thankfully he began to explain it to me. "It's like that Amerie song. That's kind of like GO-GO...ok ok you remember that song 'Doing the butt'? Now that song is definitely GO-GO" It was only then that I understood. But that song was from the "School Daze" soundtrack. I think I was in the 2nd grade when that came out and after they stopped playing it on the radio I never heard anything else like it. But that was obviously because I had never been to Baltimore or the DMV.

https://m.youtube.com/watch?v=bbqVg_23otg

So "Doing the Butt" isn't just a song but rather it's part of a movement that has been going strong for several decades. Like stepping in Chicago and Going Dumb in the Bay, GO-GO is a D.C. thing. And as I listened to it I felt very deprived. Why hadn't I known about this? Why hadn't this sound made its way to the bay like Trap Music, House Music, or Dance Hall? I was so enamored with how the continent of Africa had touched the region where I was vacationing. The sound I was hearing was so ill, it was so lit, it was so pure. I was feeling it. I put a little money down in front of the musician and left on my way to get crab cakes which were better than the ones they sell in the Bay Area but definitely didn't live up to the hype as far as all of the fantastic things that I had heard about them, but there were no expectations for my experience with GO-GO. GO-GO somehow remains D.C.'s secret. GO-GO is an uncorrupted manifestation of ancient African musical expertise. I had to travel across the country to hear this sound and the journey was worth it.

https://m.youtube.com/watch?v=FShE0VifCYs

Affirmation

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But what about the redwoods, and the black women, and the future? What about cool days when fog protects you from the sun and you know that god has your back. What about all of your trophies in the living room and the recognition plaques on the walls? What about all of the people that appreciate what you do? Some of them tell you and some of them don’t but they all need you to be here.

Sometimes I wish that I didn’t bruise so easily but I do. Sometimes I bruise when I’m touched and the pain lasts for years. Sometimes even words leave permanent marks on my flesh. Sometimes cruel text messages do as well. Sometimes when people act like they don’t need me, I believe them.

But what about views of the Pacific Ocean from the Berkeley Hills? What about Lake Merritt on Sunday afternoons? What about fresh doughnuts from King Pins? What about your purpose? What about the fight and he struggle? What about taking a nap in the parking lot when the day is hot and being woken up by the beads of sweat gathering on your cheek only to roll down your window at the exact time a breeze is passing through, and all at once you are revitalized.

You deserve awesome things. You were born deserving them and before you perish you will get them and so much more. Be patient and be persistent. I love you. I will continue to love you. I believe in you. I trust you. I got you. We will do this.

-YB

Writing through it

autumnal-solitude-bw Sometimes I need to be disconnected from all people. I need to be alone. I need to be away. I need to not be reached. I want to believe in this world at these times. I want to have faith. I want to be a good friend and a good Christian. I want to be normal. When I escape into myself often times I yearn to hang out with large groups of friends and drink alcohol while we talk about our wives. I want that “broken-in” look that says that I am at peace with my place in life, and that I am at peace with who I am. Sometimes I don’t like being weird.

 

I wish that I could love and love again until I got it right instead of being trapped in a cycle of loving really hard, being devastated, and not being capable of loving again for at least five years. I wish I didn’t expect so much from people. I am convinced that pain hurts me worse than it hurts everyone else. I feel like there is something that I need to know and I fear that I will die without ever having found it out. I feel claustrophobic within my soul. I want to be somewhere else but I can’t afford to get there. I feel like happiness is temporary while anguish is everlasting. I’m not feeling this. I’m not feeling him. I’m not feeling her. I’m not feeling any of it. And I wish that I knew how to use my words when it matters. I wish that I could verbalize my discontent and move on. All I have is words typed on a screen or written in cursive on a page and I feel like that isn’t enough because that has never been enough.

 

I wish that I was understood. I wish that I didn’t have to write. That I didn’t have to run. That I didn’t have to fight. I wish that I was just like them so that I could know what it feels like to point my finger and whisper about a guy like me.

 

-YB

Royal Fanfare

https://www.rapmusicguide.com/amass/images/inventory/13409/The%20Jacka.jpg I remember coming up in the early 2000’s riding down the Foothill strip with a car full of people that ain’t here no more. These people were my cousin’s potnas and I was just with my cousin because he didn’t want to go home, so he spent the night on our couch. My sister had to study and she didn’t like how our 19-year-old energy permeated the small house. It was distracting to her so my cousin called one of his homeboys and he swooped us up. My cousin had hella homeboys back then. Before the court cases, before John George Psychiatric Ward, right after he broke up with his baby mama, but before he played his last season of college football so his eyes were still looking to the future. We hopped in the car headed to Mills Hoagie on Seminary. We busted a left down MacArthur until we got to the light on 73rd when the driver, some chubby dude that I had never met before but my cousin seemed to know well enough said; “I’m tired of this shit” referring to Yukmouth’s Thuglord C.D. I was kind of pissed because Yuk was running the bay at the moment and The Outro was about to come on which was the hardest track on the album and the dopest autobiographical track ever written.

“Did she leave it in the car blood?” He was digging through the glovebox like crazy looking for something.

“Leave what?”

“The Jack?”

“What?”

“That Mob Figaz CD. The Jacka.”

“Oh it’s under the seat blood.”

He put that CD in and it stayed in. And we listened. And never, as we rode all around East Oakland to High Street to Fonk Town back to 106th, did we ask him to take it out.

 

“It’s the Jaaaaack. Yeah I’m a dope dealer and on top of that I’m a liar and a stealer.”

Every now and then I would ask a question about this rapper because, like everyone else in the car besides my cousin, I didn’t know him. As blunts were being passed around that little car in every direction and as girls were being hollered at and harassed like;

“Heyyyyy girl what’s your name?”

I found out he was from Richmond but moved to Pittsburgh. They told me that C-Bo had put him on. They assured me that he was hard and that he wasn’t next but that he was now. The Jacka is poppin right now!

“This shit pound,” my cousin said as he inhaled the smoke. And the more he inhaled the more he seemed to believe it.

“Yeah it do,” I confirmed.

I’ve never smoked but I didn’t need to in order to understand that this man was telling us about our own lives in first person narration. We were enraged by everything. We felt the walls of the trap closing in on us and we were fighting for more time, for more breath, fighting in order to figure out what was happening. Why did failure feel like our destiny? Why couldn’t we push these walls back and be liberated or have someone pull the lever into the off position right before we perished just like in an old episode of Batman and Robin or The Dukes of Hazard or The A-Team or MacGyver or any of those shows when the good guys never die. We were young men, but men all the same and we were beginning to understand that we weren’t the good guys. That millions of people weren’t watching our story unfold in suspense hoping so desperately that we survived, that they refused to go to the restroom because they didn’t want to miss the inevitable escape. We were beginning to understand with every false arrest, with every real arrest, with every funeral, with every ended relationship with a pregnant girlfriend, with every class that we dropped at community college, with every institution that refused to hire us, that no one ever expected us to make it. That wasn’t how the game was played. We were born at the bottom, and we were supposed to stay at the bottom, and never complain about it. And the only power that we ever had was to make our neglected ghettos with Arab owned liquor stores on the corner, and dope fiends tweaking on the sidewalk, and broken shards of glass in the street, seem cool. To play a trick on those who were fortunate enough not to hear men being blown away every night when neighborhoods feuded and go to schools where the ceilings leaked water on your journal in the middle of class whenever it rained, and make them feel like they were the ones who were missing out. The Jacka had put a spotlight on our particular Bay Area brand of misery and made our lifestyle feel glamorous. He had placed us right in the middle of the culture. All of us. I swear. And he never stopped.

I’m the Jack, ice cold mack from the Figaz

Locked in the county, shared my cell with a killer

All he ever said was Jack, I never heard a nigga realer

Fat shout out to the four XIV gorillas

All my niggas doing life, do what I can to make it better

Five years later and of the four people in that car: One of us would be dead, another would be in a mental institution, and one would be in prison. And we rode through town in that little bucket like we knew that the fuse was lit and we had to get it all in before we were blown to pieces. We gigged super hard at every stop light and rolled through stop signs like we didn’t have hella weed in the car and like we weren’t born looking suspicious. It didn’t matter. We stunted like we weren’t poor and confused and like that little car belong to one of us as opposed to the driver’s girlfriend’s mother. Let us tell it we were all bosses and it was nothing to a boss. It was our town; it was our world and somehow we were able to convince ourselves that we had no reason to be scared of what was to come because we would force the ruling class to make room for our greatness.

The Jacka spoke to all the pain that we were trying to numb out. The trauma that we were going through and would continue to go through. And he validated our lives in a way that even our own mothers could not because he was a man. Because he had to struggle mightily to be able to compare the California ghettos to a battlefield in the Vietnam War. He had to have been hated on severely to warn us that we might be the greatest but people will never say it. So we rode around East Oakland feeling like four kings being welcomed into Buckingham Palace and The Jacka’s CD was our Royal Fanfare. By the time I was brought back home it was pitch black and many daps were given before I exited the car. I went to bed thinking hard about the track called, Die Young until I fell asleep. The next morning I woke up and went to Tower Records at Bayfair Mall and bought The Jacka of the Mob Figaz and listened to it nonstop on my way to class.

-YB

 

 

https://i.ytimg.com/vi/F6YD2yQXAuQ/hqdefault.jpg

 

On the wings of Atlanta: Notes jotted down during Jazz Night at Cafe Trieste

636084694578485110903485632_donald-glover-750x700 Listening to this jazz band it’s hard to conceptualize that this music used to belong to us. Can you Imagine Charlie Parker being as big in the hood as Gucci Mane? Can you see Billy Holiday being as popular as Nicki Manaj? I honestly can’t, because we completely shifted. We gave that up and started anew. For the projects have been lionized while the ghettos are being sanitized—many of them have been completely liquidated.

 

Boy you better wash your hands before you touch that food.

 

There ain’t a clarinet to be found in a trap music beat, not an oboe neither, and there’s barely a trumpet either but it’s all good though. Just because you give a man lean to drink and pills to pop don’t mean you take away his soul. Ain’t no dope in this world that can chase Africa away. Africa is still gone be in your bloodstream. Ghana is still in the bone marrow. Nigeria is still in those hips, and you know Sierra Leone gave you those lips. So when you listen to Future you can hear my past. When you look at Two Chainz you can see Mansa Musa. The Migos could be members of the mighty Ashanti Empire. Up from poverty! Up from the bottom of the boat! Up from being down—you feel me?

We ain’t going back to Africa and we don’t have to because we brought Africa here. You may not be able to see it but you know you feel it. If you stand still for too long it will touch your spirit and make you move. All eyes cast downward—down to Atlanta. Since Outkast, since Goodie Mobb, since The Dungeon Family. Have you seen the show yet? Have you seen what Donald Glover has done? He never stops putting in work and I know that W.E.B Dubois would be proud of the beautiful wings that grew from his most beloved city. I know Dr. King would be proud. I’m not sure they ever seen this coming but the ATL is at the center of the black world, and has been for the past twenty years. The mecca ain’t Harlem, it ain’t D.C., and it ain’t Chicago neither. It is that city within a stone’s throw of master’s plantation and its glory was created by all those negroes that never left to work on the shipyards of California or in the factories of Detroit. All those faithful black folks that never gave up—that never left. And even a few that moved back down. The ones that got educated in the A.U.C. and saw that rich Georgia soil so they decided to plant seeds. This is what the ancestors down there in the black belt must have dreamed of. This is what W.E.B. wrote about when he asked “How does it feel to be a problem?” Now the brothers and sisters down there have created a solution for so many of us. Do you hear the music? Man that right there is slapping! Man turn that up. That’s the ATL.

-YB

 

 

Going deep inside of Antelope Canyon

I went to the magnificent Antelope Canyon outside of Page, AZ and while on the tour our guide, a Navajo woman named Lynette, would point out different angles and say "Do you see the burning candle?, Do you see the heart?, This one is called Abraham Lincoln, Can you see his nose and his top hat" but I couldn't see any of those things. The whole time I felt like I was inside of a woman's vagina. I felt very protected and reassured. It was such a revitalizing experience. It was almost overwhelming. -YB

You Hella Pretty

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She was hella pretty so I told her. I wasn’t trying to harass her or make her feel less than what she is. I didn’t want her phone number and I didn’t want to send her pictures of me aroused in her DM’s. I didn’t want to marry her or one day take her home to my mother either. My statement was not a declaration of the ability of my gaze to validate her beauty because she would have been beautiful whether I told her or not. I was just a black man telling a black woman that she was pretty. I felt like she needed to hear it from me. I felt like I needed to tell her that and she needed to know that I was being sincere. I don’t think she felt that way. I think her day would have gone much better if I would have kept my comment to myself. She looked at me out of the corner of her eye as she walked in the opposite direction and said nothing, and what she said to me is exactly how she made me feel. Somehow I wanted to express to her in a three word ebonical phrase that I had suffered right alongside her and I still faced just as much resistance as she did and yet somehow we both were shinning and she was shining even brighter than me and that I acknowledged this fact, I appreciated her, I honored her, and I never gave up on her. But it didn’t go down that way.

 

Curse my arrogance for thinking that a complete stranger was obligated to respond to my compliment. Curse my sensitivity for being hurt when she didn’t. Curse my brooding ways for thinking that this non-exchange sums up the greatest problem facing black people in America right now, and that is the tragic hostility that drives the black man and the black woman to hate each other. I love that woman but I fear that all she saw in me was a man that had the power to hurt her. Or maybe she saw a man that was beneath her, or maybe…maybe nothing. Maybe I’m just thinking too hard but I doubt it.

-YB

The Casualties of Masculinity

https://s-media-cache-ak0.pinimg.com/736x/4c/86/60/4c866021e36a669c3b79e00a20b1abbf.jpg Of all the things that my masculinity has forced me to suppress I can never get used to losing things. I can’t normalize losing relationships, losing time, and losing what’s pure. I have spent the better part of my adulthood nurturing a little bird and now it’s ready to fly away. It seems too soon but I suppose I would have never been ready. And now that this bird has discovered her own wings I must watch her flutter with great anxiety, trying to motivate her to go higher only with my words. And it all makes me feel very helpless.

I don’t go to Rolling Hills Cemetery anymore. I try not to look at it from the freeway either. There is too much death in that place. There is too much loss for me. If I were to go there and give everyone their due respect then I wouldn’t have enough for me. Some died violently, some of natural causes surrounded by the rest of the family on their death bed but not by me. I wasn’t there. I can’t take the loss of precious things, I never could.

Then there are the ones that float around me like ghosts, clearly out of their minds. They used to be sharp. They used to be hilarious in the cap session and now teenagers point at them and laugh. Indeed, if they could see what they are now when they were 16 then they would laugh too. Some of them speak to me while others don’t. But we used to talk for hours. We used to get turned down by beautiful girls together and fail the same classes and then talk about how it was all a conspiracy. And now, somehow, I am evil. My spirit has been tainted and I no longer know their language. I no longer see what they can see. I’m not down anymore. Not only am I gone but I have to stay gone. We will never be on the same level again. They live on the streets, oblivious to all judgement and free from all of the rules that confine me. When I try to say more than hello to them it sounds fake. For there is nothing to talk about. There are no more connections and I know that but I am a drug addict strung out on nostalgia.

I remember being hurt as a young boy and not having anyone to talk to about it because in my subconscious mind I felt like a man should never allow himself to be hurt and though I wasn’t a man yet I wanted to be one so badly. And then I remember seeing him at school and him listening, like really listening with his eyes and his arms crossed and he—having a far superior physique than mine, though we debated about it all the time—looking down on me with empathy and telling me not to trip and that he had been hurt in the same way. This made me feel like a man. My problems all of a sudden seemed worthy and my emotions had been validated. Then the conversation transitioned into far less pressing topics like an episode of Martin, or a cute girl, or football practice. I never said thank you. I could always come to him and he would never make me feel weak. I never thanked him for it though. Now I lost him. He speaks to himself but he won’t speak to me. Sometimes I try to break into his world with a smile or a question and try to disregard his condition but he never lets me in. Then I stay taking large doses of nostalgia like so many Xanax and like so much lean in my cup, I always drink too much. When I’m high I see that kid who I lost. He was so hopeful and pure. So talented, loving, and incapable of hurting anyone. And then I realize that the day that I lost him was the day that I lost myself. I will never be pure again.

-YB

Chris Brown Vs Soulja Boy May be the Most Important Fight of the 21st Century

chris-brown-soulja-boy-boxing-match The fight between Chris Brown and Soulja Boy which is scheduled for March 2017 is very important from a cultural, economic, and revolutionary standpoint. I’m very excited about this fight and I’m actually contemplating flying to Las Vegas to watch it all go down live in person. And no I am not a 19-year-old woman with a crush on either one of the combatants nor am I a 19-year-old aspiring rapper with a mixtape to sell. I am, however, a witness to the transformative properties of boxing. Here are three reasons why Chris Brown Vs Soulja Boy could be the most important match of the 21st century.

 

#GUNSDOWNHANDSUP

The murder rate in predominately African-American communities is disproportionately high. Chicago alone recorded 762 murders in 2016. That’s over two murders a day! It seems as though every dispute—no matter how petty—is settled behind the trigger. Sometimes innocent women and children are caught in the crossfire. This is why we need young men in the ghetto who are full of anger and testosterone to put their guns down, get their hands up and fight. Chris Brown and Soulja Boy had a beef which, according to Soulja Boy, began because Chris Brown found out Soulja Boy had gotten too close to a few of Chris Brown’s ex-girlfriends. And then thanks to Instagram and other forms of social, it got ugly. They went back and forth and Soulja even posted a picture of Chris Brown’s daughter which of course infuriated the R&B singer.

In present day Chicago, Detroit, New Orleans, and Houston this is more than enough to justify murder. At the very least Chris and Soulja have enough influence to control any young goon in America to do their bidding. But they have chosen not to engage in a proxy war which would probably bring some form of tragedy to several Hollywood and Atlanta after parties, instead they have chosen to fight one another the old-fashioned way—with their gloved fists. That is admirable. It takes tremendous heart to get inside the ring and fight for three rounds. It does not take any heart to gun a man down or disrespect him on social media.

 

Boxing ain’t easy

 

The general public needs to know that just because you won a fight during lunch recess in the 6th grade, or you used to routinely beat the hell out of your little brother, or you knocked out some loud-mouthed drunkard at the club last week does NOT mean that you can actually fight. The craft of boxing demands skill and not rage. At the novice level an amateur boxing match is three, two minute rounds. Now I want everyone who is reading this to think about every fight that you have ever had. Then think about how long it actually lasted. If you have never participated in boxing, then your longest fight was probably no longer than 30 seconds. My point is that it takes tremendous mental fortitude to go toe to toe with another trained fighter who is trying to put you to sleep for two minutes straight. It will be interesting to see how Chris and Soulja respond when they throw their hardest punch and their opponent is still there and still fighting. The truth is that when we fantasize about fighting our bosses, or the dude that cut us off on the freeway, or the racist snobby lady that makes the snarky passive aggressive comment while in line at the grocery store, it always ends in a knock out. As the fantasy goes; you ball up your fist really tight, reach back as far as you can and punch the shit out of that person. Then they fly in the air and when they finally come back down to earth they are completely unconscious. Then you slowly walk away but not before screaming something like; “What bitch!” “You got knocked the fuck out!” “I quit this job mutha fucka!”

 

Of course, when you’re in a boxing ring fighting another trained fighter it doesn’t work that way. If you load up on your punches (that is to rear back before you throw) then your opponent simply slips the shot and counters you. Or if you land the shot then your opponent will more than likely step to you and try to land a hard shot of his own. In our violent fantasies, we all possess brutal one punch knock out power but in real life this is a very rare gift. That’s why boxers are trained to throw combinations and then get out of the way. There’s also the crazy amount of stamina that it takes to fight an amateur bout. You have to do some facet of training every single day of the week. You need to spar, run 6-10 miles a day, shadow box excessively, and give up junk food. It will be interesting to see if two young men who drink alcohol, do drugs, and are adored by millions of women around the globe are willing to do what it takes to be victorious in the ring. They won’t be able to take their crews into the ring with them, they won’t be able to call timeout when they’re tired, and they won’t be able to get their trainers (Floyd Mayweather for Soulja Boy and Mike Tyson for Chris Brown) to fight for them. They’ll have to dig deep within themselves in a way that they probably have never had to do before.

 

Boxing picks up where the negro leagues left off

With all the contributions that African-Americans have made to football, basketball, and baseball the fact remains that of those three major American sport that embody about 100 franchises there is only one team that is owned by a black person. We see African-Americans running, dribbling, dunking, and posturing on television. And we also see them in suits that costs thousands of dollars while fielding questions at press conferences. We know how many millions of dollars they make and we think they are rich, however, one should point out that they make nothing compared to the rich white guy who writes their checks. For all of their fame and endorsement deals they don’t own anything and African-Americans haven’t owned the franchises that they play in since Major League Baseball forced the Negro Leagues to disband.

 

Boxing, however, is different. As notorious as Don King is he ushered in a wave of black ownership that is needed not only in sports but in black communities as a whole. Most African-Americans live in neighborhoods that are economically underserved and the few businesses that we do have are owned by Arabs, Koreans, or Pakistanis. One could debate the reasons for this but one cannot debate the fact that it is true. What Don King was able to do was to put on completely black events from top to bottom: from the back of the house to the front of the house. That is to say from the athletes to the executive, which in Don King’s case was always him. By accomplishing this task King cut a hole in the ceiling, a hole which Al Haymon was able to walk right through.

Al Haymon is the manager (but more like a business partner) to Floyd Mayweather and a host of other very talented fighters in the sport of boxing. Like Don King he is from the Cleveland, Ohio but unlike Don King he does not exploit his fighters. He gives his fighters a larger cut of the profits than any other manager/promoter ever has. So much so that Floyd Mayweather once said; “If I would have had Al Haymon from the beginning [of my career] I probably would be a billionaire by now.” Al Haymon promoted the richest fight in boxing history: Mayweather Vs. Pacquiao. And Al Haymon is a black man. It would be impossible for one to imagine a black person or company producing the World Series, the Super Bowl, or even the NBA All Star game. Not only that, Al Haymond refused to allow Pacquiao's promoter Bob Arum, who is white, to get any percentage of the revenue from the fight. That would never happen in any other sport.

 

Chris Brown Vs. Soulja Boy will be brought to you entirely by Floyd Mayweather’s The Money Team/Mayweather Promotions so in essence to support this fight is to support black business. Black people spend an estimated 1.2 trillion a year on cars, jewelry, hotels, restaurants, and tickets to support sports franchises that do not belong to us. This fight is a rare exception.

 

As a fan of boxing and as a progressive African-American man that is tired of my culture clinging to the very bottom of American-Society. I’m tired of homicide and black male behavior being synonymous, I’m tired of the high rate of obesity among our children, and I’m tired of other people of color setting up shop in the black community selling us alcohol and inferior goods. Perhaps what I am most bothered by is how so many African-Americans take a natural attitude towards our own self-hatred and oppression. If Chris Brown and Soulja Boy have an intense exciting fight and then hug and show respect to one another after their fight is over, then maybe they will start a trend that will bring together the eight trays and rolling sixties of South Central Los Angeles and the black disciples and gangster disciples of the Southside of Chicago. Maybe young men will learn how to lose with honor instead of coming back to the block with a pistol and shooting at everything moving. If the winner of the fight can have pride and the loser remain dignified, then maybe young black men will choose life instead of death and seek freedom instead of incarceration. Maybe.

At any rate whether on pay per view or at the MGM Grand in Las Vegas I will definitely be watching.

 

 

Writing in bed

writinginbed-louveciennes-flickr As I lay here between these sheets using these letters as a pianist uses the keys of a piano to express himself through sound, I write for clarity and not necessarily for the final product. I just want to make my ordeal visible. Whatever kind of joy or yearning that I am experiencing I don’t want it to fester inside of me. I need to be able to dissect it. And I need to know that I will not be judged for my humanity. That no one will talk wreckless to me for not healing fast enough or for being petty. I need a place where I can be in my feelings without someone telling me that I’m in my feelings. I need to be able to take that mask off that Dunbar was talking about and be me, while I still know who I am. I write in my bed before I brush my teeth or use the bathroom or return that phone call or put my Pop Tarts in the microwave so I can know what I’m up against internally. So that I can know how I feel and deal with it accordingly. I write to remind myself that I am a human-being.

-YB

In the theater by my god damn self!

dv811048_378441k I walk slowly to my seat in the back row with some form of chocolate candy in my hand or maybe an ice cream bar. I sit down with a sense of anticipation that is slightly more than subtle. The lights turn down and I am ready to be liberated for about two hours more or less. I am ready to be overwhelmed by art. The screen is gigantic, the sound is excessively loud and I am in my comfort zone. For I am, once again, in the movie theater by myself.

 

I see movies by myself so often at this point that it almost feels weird to see a movie with someone else. When I do there’s always that awkward moment afterwards when I have to talk to the person about what I’ve seen as opposed to just thinking about it for hours and hours. And even way before I get to that point I usually have to explain why it is that I like what I like. Why I’m never into Hollywood Blockbusters. Why I like independent movies, foreign movies, documentaries and musicals. Why I want to see Lala Land instead of the new Will Smith movie. Why do I want to see Fences in the theater again especially since I’ve seen the play twice and read it as well. Why do I enjoy seeing movies in Foreign languages that I will never know how to speak. Over the past 30 plus years I have realized that I am very weird. And ever since I graduated from college I have stopped trying to play my weirdness down in order to fit in with other people. Fuck other people. I do things by myself because I love myself and I deserve it. If strange things bring me joy, then so be it. I don’t need anyone to use their mockery or fake interest in an effort to tag along with me. Let me sit down in the very back row gorging on a Toblerone with my feet up all by my god damn self. Let me have my space: please! I promise I’ll be a more sociable person as soon as the end credits roll up.

And then there is the price. In terms of dating if I have to pay $12.00 to get into a movie I really don’t want to pay someone else’s way. Especially not a date. As far as I’m concerned United Artists killed chivalry when they raised the price of a movie ticket to over $8.00. Then once you add the exorbitant price of popcorn and a drink, I’m cool. As a matter of fact, I’m hella cool. I’m not treating you. No disrespect but I would rather sit in my dark lit up place concerned only with the development of plot and an actor’s ability to pull off an accent, not with my finances.

 

So, when you’re with your crew or your boo and you see me in the back of the theater by myself with my beanie cap down low, don’t feel sorry for me—just understand that I am taking care of myself and self-care is a must.

-YB

The First Time

  black-couple-happy-in-bed-s-300x180The first time she feels comfortable enough to poot in your presence and you realize how difficult it must have been for her to suppress her humanity for all of those months. And then she looks at you with surprise but no hint of shame and the both of you begin to laugh hysterically. For you realize that she can never unbreak that wind and she will never again attempt to live up to society’s impossible expectations of what a woman should and should not do while being courted. From this moment forward you will regard her not merely as a love interest but as a human-being. As your potna. As your homie. You lean over and kiss her softly on her giggling cheek then breath in hard through your nose and you are almost overwhelmed because you know that if real love had a smell then this would undoubtedly be it.

Seeking Readmittance

  I write through my struggle. I make sacrifices so that my urge to create can come back to me. It shouldn’t take a bullet in the brain of my childhood friend for me to write. It shouldn’t take depression or any other extreme circumstance. There should be a normalcy to when I create, if not an obsession. This should not be painful. This should not be like a bullet in the head. It should be like a meaningful kiss with your eyes open, it should be about waking up feeling secure in what you are, it should be like pulling over to talk to that cute girl and knowing that she’s feeling you before you even ask for the number, or like a sideshow on 106th and Macarthur. Like joy in the place of poverty, you feel me?

 

I’m not losing my voice. Two 19 year olds were murdered in the streets of North Oakland this past Monday and now is the time to Lift Every Voice. Perhaps I have become complacent in my position outside of the trap. I work, I take care of my daughter, I sleep, I workout. I’ve allowed myself to become numb. I’ve allowed myself to believe that murder, or the threat of murder doesn’t effect me the same way it did when I was trying to find my place in the world. I’ve allowed myself to believe that I have found my place in the world. How could I be secure in a place that is not creative?

 

I’ve been dead and now I seek readmittance into the world. I am ready to be possessed. I am the mule that Zora spoke of.

 

-YB

The Voices

7aad0c3cbd60a3258eb2939fd17da6d1 As I navigate the world I feel the burdens of my darkness making every step nearly impossible. Eventually I become overwhelmed so I stop to sort things out. And then when I stop everything is gone. As soon as I stop moving, the puzzle pieces disintegrate then they disappear and I am left with an empty box and no chance at putting it all together. It is in this sense that rest becomes an oasis. For every time I go to sleep I wake up knowing that true rest doesn’t exist. How can a man wake up feeling tired yet he has nowhere to be?

The voices that speak to me are barely audible and when I try to listen to them they flee. I keep telling myself that I should be grateful but I am not because I know that I have lost something very essential to my being. And that is the ability to assemble love from blocks of depression. For so many years I have been able to duck right before capitalism beheaded me. I have been able to go deep inside of myself and mine for solace until I reached my quota. I have, in the past, been able to keep my muse from moving but now she runs. I am hideous. I am pathetic. I am lost.

You can’t pay me for my identity. I’m not going to sell my dreams for an office with my name on the door. My life is haunted by struggle. Whenever I get my hands on money, poverty beckons. The Trap tells me to come back home. Indeed I never left. Poverty is when you let an outside entity tell you who you are and even worse, what you should strive to become. I live my life the eternal outsider, never interested in opening the door, never in the middle of the dance floor, never a member of the rank and file.

Let them distance themselves from me and I will feed off of their repulsion. Let me be young and black, let me be the ghetto sun that provides the heat and the fire and always rises. Let me be misunderstood. Let me be crazy. I want the voices in my head to trust me again. Trust that I will never betray them, that I will depict them accurately. That I will never place any occupation before them ever again. That I will never pursuit ungodly things before I have first given you life. I will accept your anger, your screaming, and your rage if only you will speak to me. For without your presence in my soul I am an ordinary man. A worker. A follower. A completely disposable human being. A wasted dream. This time around you won’t have to chase me down after work. This time I will come to you.

-YB

Was

was I think about her more now that she’s dead than I did when she was alive. I think about the disoriented look on her son’s face as he walked in and out of her funeral service. I think about how goofy she was a teenager. How annoying her laugh was, how pretty her face was…I think about the word was. How hurtful the past tense is when referring to young people that you love.

 

I did not think about her when she was alive. I had not seen her in at least 15 years. In fact even when we attended Junior High School together we were never super close but I never thought that death would reach her before her 35th year. I never thought that I would have to use the word was when referring to her. And now I kind of want to see her. I want to tell her not to trip, that things will be ok, that she is loved. And then I’m torn because I feel really fake. If she were alive and I happened to see her I would never think to share anything beyond the exchange of basic pleasantries. I probably would have no idea that she was contemplating suicide but then again, I would never ask.

It’s shameful what death reduces us to. It’s shameful how a person has to die in order to be heard sometimes. Often times when a young man is murdered and waiting to be pronounced dead his cell phone is jumping. Everyone is calling, texting, and sending dozens of messages that all seem to say, “are you ok?” But he isn’t ok. He will never be ok again. Then they DM him and send him friend requests and favorite his tweets and finally they make a memorial on a street corner and everyone has a party in his memory—but he is dead. I could never understand why we disregard the living only to celebrate the dead. Yet here I am. Mourning the tragic death of a woman who I wasn’t even close enough to know was suffering.

I am somewhat obsessed with her now that she will be forever in the past tense.

 

I find myself becoming less approachable, less tolerable of other people. The memories that I have of her are ever present and I can’t stop thinking about what her future may have been. I post about her. I cherish memories of her that I didn’t even know I had when she was alive. Like that time in the 8th grade when she was my girlfriend for two days and we broke up because I had hard rumors about her “going with” another boy (which were later revealed to be untrue). Little silly things come into my head that make me acknowledge once again to myself that she is dead. Her body has been reunited with the earth. And then I slowly attempt to rise out of bed, though I never seem to get enough sleep.

 

-YB