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A Reinterpretation of Tears

Two Porters I learned shortly after my daughter’s mother and I separated that by continuing to be in my daughter’s life I was committing a highly subversive act. It felt as though my ex-girlfriend wasn’t prepared to deal with my continued presence, my picking our daughter up on weekends, my asking for her on holidays. It felt as though I wasn’t following the script and she, as well as her family, couldn’t understand why I didn’t just leave. After all as a black man wasn’t that what I was supposed to do?

My parent’s marriage disintegrated not long after I came into the world. I have absolutely no recollection of them being together but my older brother and sister insist that this was indeed the case for several years. I rarely if ever saw my father. And when I did he was always very serious, even when he smiled. And every time I saw him he was always in a suit and tie. Occasionally he would pick us up on a Saturday afternoon and take us out to eat. Then we would often times go several weeks at a time without seeing him.

Shortly after I turned 7-years-old my father came over to our house one evening and called my two older siblings and I into the living room. Like always he was wearing a collared shirt and a tie, and like always he was very prideful. He told us that he would be moving back to his home state of Tennessee with his new wife to be the pastor of his own church. We didn’t believe him. We made him place his hand on the holy bible and say it again; after he obliged we knew it was true. He only stayed for a few minutes then he left. We smiled and waved goodbye to our father through the window never fully realizing what was taking place.

After that night sometimes we would see him once a year, other years we wouldn’t see him at all. In the beginning he would call but then the calls began to come in a lot less frequent. I never called him. As a matter of fact by the time I was a teenager I became a lot more comfortable with his absence than I was with his presence. In the public schools that I attended not having a father was trendy. It made you normal.

In junior high school whenever I was hanging out with my friends in the hallway or in the gym and the subject of our father came up we all chimed in with different reasons as to why we hated our dads. Why dude was a coward. At least one of us declared that he would beat his father to the ground for what he did to his mother—if he ever saw him again. There could have been a whole room full of black boys and you wouldn’t find one of them that wanted to be like his father. No one ever tried to understand his father. We all depended solely on our mothers, or in some cases grandmothers, for our daily representation of what a man was supposed to be. And we were able to infer from these women’s stories that a “real man” was everything that our fathers were not.

At the age of 19 I fell in love with a woman. Three years later she gave birth to my child. About six months after that she broke up with me. She confronted me one evening and said that she could tell that I was unhappy with the relationship. I couldn’t find the words to disagree with her. Two days later she moved out of my house and took my baby girl with her. It was at that point that I realized I had no idea what being a father meant. I also realized that I needed to find out in a hurry but I had no idea where to look.

My mother’s father was shot in the face the day that she was born and died in the hospital a few days later. The only thing I know about my paternal grandfather is that he and my father didn’t get along. He died before I was born and I have never so much as seen a photograph of him. My mother once said that he was the overbearing type but I’ve never been able to confirm this with my father. My father has never brought him up.

So each week I would approach my ex-girlfriend’s house to pick up my daughter I would be completely confused. I wanted to be in my daughter’s life so she could know what it was like to have a father; however, I didn’t know how to do it. I had nothing to draw on. My rides to her apartment complex were painful, my walks to her front door were swift, my knocks were violent, and we always exchanged the baby in a visceral silence.

My daughter felt the negative energy. Before I could buckle her down in her car seat for the nearly one hour drive she would break out screaming and crying until she lost her breath. After I strapped her in and turned onto Main Street heading toward the freeway the crying would persist. I would look at my baby through the rearview mirror; she’d make eye contact with me and scream louder. One day I became unraveled.

I demanded that she stop crying, and told her how much I sacrificed for her. That I had gotten a college degree so I could provide for her. That I was being degraded on a daily basis at a job that I couldn’t stand just so I could have enough money to come get her, and she had the nerve to disrespect me. Cut it out! I told her. Stop it! But she continued to cry. This little brown skinned girl with light brown eyes like mine, and full eyebrows like mine, was in her car seat openly expressing all of the sacred things that I had learned to forget.

I never liked to get my haircut as a child just like I never liked to take baths. About once every few months my father would take my brother and I to the barbershop for a haircut. By this time I would have a small unkempt Afro with patches of tiny naps on the back of my neck. In preparation for my trip to the barbershop my mother would gently comb my hair with a little plastic comb. She would spray water on the tougher spots so the comb would go through nice and easy and so I wouldn’t squirm as much because I was severely tenderheaded. But I still squirmed and all of my mother’s careful strokes and tedious labor was irrelevant by the time I got to the barber’s chair because the water had dried up making my hair harder and nappier than ever.

The barber was my father’s friend. He was an old guy with thick glasses named Will. He never showed me any mercy. My father was always first to get a haircut and it always amazed me how he used the barber chair like a pulpit. He carefully directed the general conversation of the shop to topics that interested him. Somehow he was able to redirect all conversations about sports—which he has always abhorred—to the need for black people to support black businesses. Conversations about women somehow ended up being about Christianity. My father, although small in stature, was the unofficial maestro of the Barbershop. And he never once had to raise his voice.

My brother would go next. A man-child six years my senior he was always tall compared to everyone else in our family, and he was confident, and charismatic. At eleven years old he had a head full of waves and since he was very concerned about his image, he would take trips to the barbershop either by himself or with my older cousins. He never let his hair get as long and kinky as mine. His hair was so soft and thick the barber almost thanked him for letting him touch it.

Then it was my turn to go. While my father continued to direct conversation and my brother sat in his seat glowing with all of the adulation he had just received, Will the barber ripped through my hair with a torturing device known as “a natural comb.” A natural comb is a long black comb with metal teeth designed specifically for taming the most savage, unruly, naps. As he ran the comb through my hair with so much force that it snapped my head back and I could literally hear the naps popping, I tried so hard to keep it together but I could feel the tears coming. I knew that he had to comb my hair so that it wouldn’t damage his clippers but I couldn’t understand why he had to be so brutal. Why didn’t he ask me if I was tenderheaded? If he did then maybe he would be able to comb my hair gently like my mother did. Why didn’t it bother him that he was hurting me? I could no longer stop the water from trickling down my cheek. I looked at my father, the great composer of conversation through blurred eyes as I cried. And I remember him finally looking up at me. He did not say anything. He was ashamed.

And now this little being was in my backseat screaming so loud and for so long that she lost her breath. I hadn’t made it to the freeway before I cracked. She broke me down. I pulled the car into the nearest parking lot unbuckled her and held her close to my chest. I let her cry and she did for several minutes. I rocked her and shushed her gently while telling her over and over again that everything was going to be OK. I kissed her tears away until no more fell, until she went to sleep in my arms.

That was the day I learned how to transcend my manhood in order to be a good father. I learned how to listen to her cries in order to interpret exactly what she needed. Sometimes it was a bottle, sometimes it was reassurance, and sometimes it was a hug, while other times it was a song. Indeed my daughter was the first female I learned how to effectively communicate with. She became my entire weekend, she was my focus, and she became my identity.

That was the day I promised I would never leave her.

-YB

Brown People Do Read/LitCrawl 2013

They asked me to read so I'm reading. Forgive me in advance if I read out of tune, for it's been a long while ;-) Save the date for the third installment of Brown People Don't Read? at LitCrawl 2013.

Hear stories and poems from emerging Bay Area writers of color who will prove that brown people do indeed read and write. Featuring Scott Duncan, Lisa Gray, Sylvia Eugenia Kakassy, Roger Porter, and Blanca Torres.

https://www.facebook.com/events/163316000540668/

SOULFUL II: Telling OUR own Stories OUR own Way

If you are anywhere near the San Francisco Bay Area then you must attend this event.

 

A night dedicated to the healing power of storytelling

Ladies and Gentlemen: Please join us for “SOULFUL II: Telling OUR own Stories OUR own Way” on Saturday December 15, 2012 at Café Rande Vu in Oakland (2430 Broadway) at 8:00pm. Soulful is completely dedicated to the healing power of storytelling and on 12/15/12 we will be raising money to cover the medical expenses of Kim Glanville who on October 27th was shot 5 times in a tragic case of mistaken identity. Kim will be telling “Her own story her o

wn way” on the 15th and in addition to that, we offer some of the hottest writers in Northern California. Check out the lineup.

Rami Margron Rami Margron is an actor and dancer. She has worked with many Bay Area theater companies, performing plays of all types from Shakespeare to experimental. She is a company member of Crowded Fire Theater and Rara Tou Limen Haitian dance company. She also hosts a monthly storytelling event called The SHOUT.

Sean King Sean King is a husband, a father, a writer, a published author, a spoken word artist, a computer geek, a community activist, a dreamer, and someone who loves life. He’s been fortunate to meet countless numbers of diverse people from all over the world and all walks of life, he’s performed on stages and in different venues across the country, and self published three books of poetry (Through My Eyes I, Through My Eyes II, and Hypnogysms) while simultaneously studying Computer Engineering. He is the mentor to numerous youth in the Northern California area and pledged Omega Psi Phi Fraternity, Inc., the greatest fraternity in the world.

Luisa Leija Luisa Leija’s work arrives in the form of dances, prayers, and invocations of a universal spirit. Her words are smoke signals, calling us to recognize ourselves within the world we inhabit; a world that equally inhabits us. Drawing from the indigenous traditions of the Americas, native culture, and Mexican culture, Luisa unifies themes of community, family, history, and ceremony into a seamless journey through the mystery of human existence. A multi-genre writer, Luisa’s talents are as diverse and plentiful as her words. A search for transformation, for truth, for connection, is ever-present throughout Luisa’s work, an endeavor that is both timely and inspiring for our present world.

Sayre Quevedo Sayre Quevedo lives in Oakland, California. He works as a reporter and producer for Youth Radio and has had worked featured on National Public Radio, Marketplace, National Geographic, Huffington Post and in the San Francisco Chronicle. He has been a featured poet at the Bitchez Brew and Lyrics and Dirges reading series'.

Vanessa Jezebel Delilah X Feminist Afrocentric Black Queer Femme Lesbian Artist Writer Performer Curious Dreamer Fighter Champion Love-Warrior Activist Faerie Princess Mermaid Gangsta Revolutionary: Jezebel Delilah X, is a performance artist, writer, filmmaker, and teacher. She is co-host of East Bay Open Mic, Culture Fuck, a member of the story telling performance troupe, Griot Noir, and one of the founding members of Deviant Type Press. She uses a combination of performative memoir, theatrical poetry, and feminist storytelling to advance her politix of radical love, socioeconomic justice, anti-racism, and community empowerment.

Zarina Zabrisky Zarina Zabrisky moved to San Francisco from Moscow to escape the aftermath of a collapsing communist empire. Her work has appeared in Eleven Eleven Journal, Bluestem Magazine and other publications in the US, UK, Canada and Nepal. Her debut short story collection "Iron" explores the nature of oppression, revolt and survival.

Kim Glanville Kim was born in the Bronx New York 1982; 2 years after her mother came from Kingston, Jamaica. She comes from a line of Strong women that are no nonsense, independent and hard working. Her passions and commitments to community transformation through social movement and accountability have been the driving force in her personal and professional development. Her healing mechanisms are purging with the power of the pen and dancing to Soulful House. She is currently a grad student at the USF School of Education Human Rights program. On October 27th she was murdered into excellence by surviving attempted murder without fear, and thus owned her freedom to live.

Hosted by Roger Porter

PS Suggested minimum donation of $4 to the Kim Glanville fund or suggested purchase of Iron by Zarina Zabrisky….no one will be turned away. See you on the 15th of December.

This event will be Simply Beautiful and oh so SOULFUL (http://www.youtube.com/watch?v=yOxFl4dna3o)

My Broke Ass Poem

   

I am educated and yet I am very broke and that is a problem.

It affects my confidence in the worst way. Like it’s hard to ask a woman out on a date when you can’t pay her way.

Well at least for me it is.

When I was living that bohemian lifestyle as a graduate student studying creative writing I never thought it would result in some chick named Sallie Mae taking almost half of my check every month. Damn it’s ugly.

 

My Internet bill has gone up, Christmas is coming up, and the first of the month won’t come soon enough. Not that it matters much anyway because by the time the 2nd comes I’ll be broke again. It’s hideous.

 

In undergrad it used to be cute to be broke but now the shit just won’t go away. I look at my brothas on the corner hustling everyday and I think it’s a shame that they have to destroy another person in order to feed themselves but damn, at least they ain’t in debt.

 

In hindsight college loans were such a bad idea. Why the hell would I pursue something that I can’t afford? What a day, what a day?

 

My god.

-YB

I Wonder

February 6, 12

I remember how I used to stare at her while she looked away

It’s funny how confidence always overpowers shame

Before I learned by limitations I thought I could have her

I used to think that I was that guy before I realized I was this one.

 

I’ve never been a big dreamer

I’ve never allowed myself to get lost

I’ve never been able to believe that lie

I’ve never been able to visualize what separated me from him.

 

I can’t recall how it all became so confusing

Pain remains consistent and violence is inescapable

It hurts to be aware of who you are

I wonder what happens to unrequited love

 

I wonder if it will ever come back to me.

 

YB

A Black Man Scorned

Roger Porter

May 19, 2011

Relationships are very difficult in general. Being in a committed relationship with a black man probably makes that task 10 times more difficult—Ok sisters I get it. As a black man I am the first to admit that sometimes we make it impossible to love us. For a lot of brothers the issue is that it is hard to love someone else when you do not love yourself. For this black man it’s trauma and baggage. After all being hurt really hurts, what else can I say.

So now with all of that being put out there, I would like to ask all of the scorned black female lovers of America to please tone it down a little bit. I’m getting so tired of hearing women talk about all black men being dogs, and how it’s so difficult to find a good one because of “the shortage.” Black men are in prison, black men are gay, black men have multiple babies, black men are abusive— damn hearing that crap seriously makes my head hurt.

As always the media is a huge part of the blame. It appears that the fallout from the exposure of The Down Low will never subside. I understand the fear and paranoia which stems from it to a certain degree—I mean the thought of being exposed to HIV would freak anyone out—but at some point we have got to get better and move on.

And I’m sorry to say it but if 2 people are in a relationship and it doesn’t work out then it’s a collective failure. When I’m in a situation with a woman and it goes terribly wrong (which is almost always the case) I can’t blame it on the state of black women as a whole, as a matter of fact that would be very counterproductive. All I can do is gather myself and mull over the question, “What did I do wrong this time?” It is only after I figure this out that I can move on.

The shortage of the black-man thing is used as a cop-out far too often. When it comes to the abysmal state of black male/female relationships both sides need to share the blame equally. I will take accountability for what I’m doing wrong as long as you do the same. Is that asking for too much?

Talented Oakland Airbrush Artist Paints for the Love of it

Roger Porter

May 5, 2011

 

 

Note: I recently got a chance to do a profile piece on an amazing Airbrush artist for www.OaklandLocal.com. Here's how it turned out.  

“Guerilla customer service” - that’s what Ronald Allen Jr., aka Mr. Airbrush Hands, calls it when he gets back to potential customers within five minutes of them leaving a message on his cell phone. And that is exactly what has made him one of the most popular airbrush design artists in the Bay Area. Oh yeah, that and an enormous amount of talent. Growing up in a tough North Oakland neighborhood with no father (Ronald Allen Sr. was murdered in 1982), many people doubted that Allen would amount to anything. Even he admits to being lured into the street life at one point, but it was his God-given talent that kept him from drowning in a sea of drugs and violence. “My art was like a life raft,” he told me. “I didn’t know where it was going to take me, but I wasn’t about to let go.”

Indeed the craft of airbrushing - which is a method of painting using a small air operated tool known as an airbrush - did take Allen away from the streets of Oakland and down to Fresno where he ran an art shop in 1991 while attending Fresno State. The man who originally opened the art shop and gave Allen the position was a well-renowned painter by the name of Ron Artis.

It was in Fresno under the tutelage of Artis that Allen began to appreciate the true power of his gift. It was in Fresno that he began to understand the impact that his art could have on common working class people not just in California, but around the world. Soon Ronald became inspired by the notion that one “shouldn’t have to be rich to enjoy art.” Thus he set out on a journey to prove it.

Mr. Airbrush Hands is a business that Allen started with the unwavering support of his wife Pam and his two children, Ronald Allen III and Sahara. He specializes in airbrushing T-shirts and sweatshirts and runs his business out of his Oakland home. Allen’s clientele often ask him to do RIP portraits, something that he has expressed a certain ambivalence toward.

“RIP shirts are the hardest for me to do," he said. "Not because I can’t do it, but because the person has passed and I’m painting them … I don’t do as many RIP shirts these days, but when someone does ask me to do one, I feel very honored and will do the job to the best of my ability.”

Allen also has done murals and considers his greatest artistic achievement to be a ceiling that he painted at a friend’s music studio. The painting was a depiction of such fallen musical icons as Lisa “Left Eye” Lopez, Marvin Gaye and Tupac Shakur.

Allen had to endure extreme physical hardships to complete the work. He had to crane his neck for hours on end while paint dropped onto his face, yet and still, he finished the ceiling in a day and a half. Like Michelangelo’s painting on the ceiling of the Sistine Chapel, many that have seen Ronald’s work in the music studio are awed into complete and utter silence, which makes Ronald very proud.

Through all of the adulation, the constant demand for his work and the monetary benefits of being as popular in the art world as he is, Ronald somehow manages to remain humble.

For Allen is not in it for the money - “It’s not about what you earn it’s about what you learn,” he said.

I think every living person can learn a lot from the undefeatable spirit of Ronald Allen Jr. I know I did.

Allen can be reached at (510) 435-6172, on Twitter and Facebook and at mrairbushands.com.

Fight Poetry (Those forgotten verses)

Roger Porter

Written in Fall 2008

 

The Mexican Fighter

His jump rope never stops whipping the floor.

In between rounds he jumps and after our hands are wrapped and our gloves are on he still jumps.

His shirt with the red white and green flag is badly faded but there are three drops of blood above the eagle in the center which bring a certain vibrancy to the old garment.

Left foot out right foot down, Right foot out left foot down.

 He jumps tirelessly while we pound slowly on the heavy bag.

Finally he is done.

 He quickly puts his rope into his gym bag and snaps off his warm ups to show sharp pointy knees under green shorts. Very thin yet chiseled calves and ankle weights atop laced white shoes.

One of us encourages the other to keep swinging on the bag while holding it steady for the other. The thuds become softer and several seconds elapse between each sloppy punch until the round is over. We double over searching for breath.

He wraps his hands and leaves his gloves in his gym bag. He stands facing the mirror. Knees quarter ways bent. Left foot in the front. Right foot in the back. Both heels on the floor. Left fist sideways about 8 inches in the front of his mouth. Right fist pressed against his temple, and he just stands there in front of the mirror like a 65 inch bronze statue. Then he starts throwing punches into midair.

Light and fast, chin down, elbows in and he pivots around in tight circle as he cuts the stale, pungent, gym air with each precise blow.

What heart this man has, what dedication, what a damn good boxer as far as we can see.

We catch his attention in between rounds and nod our approval as we mouth the words;

“Good work.”

Round 1

The taller guy shot a job but the smaller guy countered to the body;

Ksss

then stepped back and fiented another one.

They dance.

“Don’t be lazy with that jab Will!”

The buzzer sounds and the green light changes to yellow.

Thirty seconds left in the round.

The smaller fighter is faster on his toes and quicker with his hands,

he goes once more to the body.

This time the bigger fighter deflects the blow

with his left elbow then one- two;

Ksss Ksss

A left jab overhand right combination sends waves through the smaller fighters face

but he has heart and he has a good left hook.

He throws it wildly but it still connects to the jaw.

“Keep your left hand up when you throw that right Will!”

The larger fighter withstands the blow and throws a right cross downward to meet his smaller

opponent but he misses badly.

The buzzer sounds again and the light turns red, the round is over.

The larger fighter taps the smaller one respectfully on the top of his head gear with his glove.

They go to their corners heaving air in hard through their mouths.

The smaller fighter gets a mouth full of water from his trainer,

he spits it into the bucket.

The water comes out bright red.

The buzzer sounds and the light turns green.

The fighters come out for round two.

 

When Andre Comes

He walks in and the whole gym stops for a quarter second. Then when people realize who has come everyone starts working twice as hard like a power surge after a black out. The speed bag thuds fast like rain coming down in torrents on a rusted tin roof. The punching bag pops in a quick up tempo rhythm and the jump ropes whip the floor hard and fast like a mother spanking her child for public misbehavior.

 It is a working man’s symphony

A harmonious cacophony

Everyone sweats but no one is tired. He walks into the gym as comfortably as a man walking into his own living room. His eyes intense but always relaxed. He is always relaxed. He does his mitt work relaxed. He spars relaxed, and he beats men into submission completely relaxed. His arms hang nearly to his knees as he walks toward his trainer. They stretch.

We work but we glance, some stare, but we all respect

 Our Olympic gold medalist

Our warrior

Our champion

Our fight when we are too weak to fight

Our Andre Ward

Revelations from The Inside

prison.jpg

 

Roger Porter 

 

           There comes a time in the life of the young black man when he realizes that nothing stands in between himself and the fate of the many thousands of black men that have failed in order for him to be here. This is the moment where everyone who loves him begins to share in the hopelessness that he has always had for himself. The teacher who used to give him several warnings about his behavior before losing his cool now quickly kicks him out of class shortly after the bell rings, he whispers in his ear as he gives him the referral; “Maybe you shouldn’t come back.” It was the only class that he actually went to—now he goes to none.

            The young man’s mother no longer screams at him over his poor grades nor does she ask to see his report card. When he doesn’t come home for two days she does not call around to find out his whereabouts. She does not mention his name to his younger brothers and sisters and neither will she allow them to speak of him. If he wants to be a thug then let him be a thug, she says, for there is nothing else she can do. He comes home and smiles at his little sisters then finally at his younger brothers who smile back before looking at their mother; then they promptly stare down at the carpet. The oldest boy who is standing in the open doorway looks down at the carpet as well but then something in his mind starts to change. He looks up and stares his mother full in the eyes. She has no more tears to cry and no more questions to ask. All she has left is one final demand. “Get your black ass out my house and don’t come back.” The oldest boy says nothing. He looks down at his youngest brother who he catches looking up at him, but he still says nothing. He walks back out of the open door, up the street and back to his place on the curb. The other boys on the curb see him and they see the fully realized look on his face. They need not ask him any questions for they know that he’s all in.

            This moment comes after DARE when the young man held the profoundly naïve idea that it was cool to not do drugs and it was alright to talk to cops. This moment comes after boy’s camp, after juvenile hall, and after youth authority. It occurs sometime in county jail when he dials the number to the only home he has ever known and no one accepts his calls. He sits in his cell and languishes month after month without any visitors and not one letter. He comes to understand that his mother was really serious this time. There will be no double shifts worked, the house will not be put up, and there will be no money borrowed to raise his bail—he’s all in.

          He consorts with people who have done far worse things than he has; they break bread together, they work out together, and they sit down on the bench in the yard together and share stories. There are four of them and one spins a story about a carjacking, the other about a home invasion robbery during which he kicked in the front door like the police, the second to last guy tells a story about a shooting he committed during a turf dice game. The young man listens when appropriate and laughs when necessary but now all eyes are on him, the stage is his.

            He begins talking about a time in elementary school when he got straight E’s on his report card. His mother kissed him five times on the cheek and gave him a long hug. She squeezed him so tight, the young man told the other inmates, that she cracked his back. Then she took him and his younger brothers and sisters out to eat. As he recalled this moment it occurred to him that his mother was trying her hardest to hold onto something that she knew would disappear. He concludes by saying this was the last time he had ever made his mother happy.

            It was a terrible story to tell and when he finished there was silence on the bench and no one would look in his direction. He went quietly back to his cell to think about it more but the more he thought about it the more it bothered him. He honestly could not understand how he had arrived at this point in his life. After he got that report card it was as if something unseen and unknown began pulling hard at him like a B.A.R.T train being sucked through a pitch black tunnel. He got under his cover and cried onto his pillow. For it is at this moment that he realized his failures were as inexorable as fate, and his life felt like something used. Like some old filthy thing that had been lived a thousand times before it was given to him by a pair of pale hands, with an almost unbearable repugnance.

This is an excerpt from The Souls of Hood Folk available right now at Lulu.com.